Design practice / Behind the materials

From the studio
to the garden.

I draw, make, and test the materials I bring into research. From paper experiments to laser-cut wooden figures, preparation is part of understanding what people can hold, assemble, decorate, and share.

Xingting Wu working at a laser cutter in Swinburne ProtoLAB
At the laser cutter in Swinburne ProtoLAB. Still from a preparation video, 2024.
Xingting Wu carefully removing cut paper shapes from a green Cricut mat
Preparing and trying out paper forms with the Cricut, August 2024.
From an idea to something people can use

How the materials
take shape.

A look inside the preparation for the 2024 crafting study.

  1. Digital cutting layout for Nativity figures and their bases
    A Nativity cutting layout.
    01 / Draw & prepare

    Work out the parts.

    I prepare digital outlines for figures, animals, slots, and bases. The drawing connects the visual idea with practical decisions about how an object will be made and put together.

  2. A laser cutter producing wooden sheep components
    Wooden parts during laser cutting. Video still, 2024.
    02 / Make & prototype

    Take it into the workshop.

    At ProtoLAB, cutting turns a file into physical pieces. Alongside these wooden prototypes, I try paper shapes with the Cricut and prepare materials for the group activities.

  3. An early wooden sheep model laid out as separate interlocking parts
    The separate parts of an early sheep prototype. Video still, 2024.
    03 / Handle & test

    See what assembly asks of us.

    The early sheep used many interlocking pieces. Handling and trying the model helped reveal the demands of fitting, holding, and connecting those parts.

Then the activity
changes the design.

Workshop observations and staff feedback informed a simpler sheep: a body shape and two leg pieces. Other figures used an outline and a base, leaving more room for decorating and personal choices.

Materials from the research

Made for a
shared activity.

Making a place discussable
Design material from the research practice.
Garden maps

Making a place discussable

Illustrated maps bring places into a conversation. Pairing drawings with photographs offers several ways to recognise a garden area and talk about where to go.

Something to notice, hold, and choose
Design material from the research practice.
Plant photographs

Something to notice, hold, and choose

Photographic cards bring flowers and foliage into both outdoor walks and indoor conversations. Their role is to invite attention and preferences.

From a drawing to a shared setting
Design material from the research practice.
Craft & fabrication

From a drawing to a shared setting

Garden concepts connect crafted objects with their eventual setting. Materials and assembly are adjusted through collaboration and observation.

Room for curiosity
Design material from the research practice.
A collection of prompts

Room for curiosity

Identification, clue, and fact cards offer different ways into a topic, from recognising a plant to sharing something unexpected.

Leave room for a contribution
Design material from the research practice.
Story invitations

Leave room for a contribution

A story invitation gives a contribution somewhere to go. The material can support a thought, a drawing, or words recorded with assistance.

Designing for what happens next
Design material from the research practice.
Between activities

Designing for what happens next

Care invitations and a flower diary explore how participation might continue between facilitated sessions. They remain part of an ongoing design inquiry.

Beyond the fieldwork.

I also draw, illustrate, and teach art. For more of my illustration practice and visual explorations, visit my artwork collection.